Boygenius forged a spell over Gunnersbury Park | Dwell evaluation

A swooning delirium is constructing as Swifties and metalheads alike congregate in West London for EthelMunaGenius, because the occasion has turn out to be recognized on-line. To see simply how devoted a fanbase has gathered there, you solely need to forged your gaze to the merch stand the place, for the primary half of the day, the queue stretches again a lot additional than any queues for the bars or bathrooms.

Boygenius – the Phoebe Bridgers, Julien Baker, Lucy Dacus supergroup – have curated a line-up of their favorite artists to take over the park for the day; Irish singer-songwriter Soak, Southern Gothic alt-icon Ethel Cain and euphoric queer pop band MUNA. The music of Boygenius is fraught with self-loathing, heartache and despair, however this may be exhausting to understand for those who rewatched their set with the sound turned off, or glimpsed one of many many TikToks circulating within the days following the occasion.

Ethel cain06
Ethel Cain

The boys, as followers affectionately name them, seem like they’re having a lot enjoyable onstage, whether or not they’re rocking out or making out. Within the crowd, greatest pals sway hand in hand carrying t-shirts they lovingly DIY’d collectively particularly for as we speak. They flip to one another, tears swelling of their eyes, as songs like ‘Cool About It’ or ‘Me & My Canine’ attain their most gut-wrenching strains. Whether or not onstage or within the viewers, the present is a shifting testomony to the facility of feminine friendship and platonic love. “It wasn’t like falling in love,” Bridgers just lately instructed Rolling Stone about assembly her Boygenius bandmates. “It was falling in love.”

Our preliminary concepts about love are sometimes fashioned by the pop songs we listened to rising up. As a rule, they depict a craving and all-consuming heterosexual romantic love. Pronouns practically at all times check with the other intercourse and we’re instructed that friendships matter lower than falling in love. Whereas Boygenius actually have their fair proportion of craving, heartbroken love songs, in addition they wax poetic concerning the platonic loves of their lives. Once they play ‘True Blue’, Dacus’ love track for her bandmates, one of the best pals in matching t-shirts elevate their arms within the air bathed in blue gentle.


We’ve been blessed with a staggering quantity of emotive, introspective singer-songwriters lately. From Mitski’s ruminations on love and loss to Lorde’s suburban angst and Billie Eilish’s moody introspection, our starvation for the style is seemingly endless. Many of those artists, together with Bridgers, have spoken out about despising the reductive ‘unhappy woman’ label typically ascribed to their music. Their work explores a textured map of feelings that attain past unhappiness, however upon first pay attention, Boygenius lyrics are shaded with indisputably melancholy tones.

A 2019 studyanalysing over 50 years value of track lyrics from 1965 to 2015 discovered that phrases related to destructive feelings considerably elevated over that point interval whereas descriptors of constructive emotions noticeably decreased. And if issues felt bleak in 2015, they really feel even bleaker now. Boygenius didn’t launch their first album till 2018, however they joined the custom of songwriters delving into their darkest ideas for lyrical materials.

Lucy Dacus

But the Gunnersbury Park present reveals that singing about destructive feelings extra typically isn’t essentially a nasty factor. Youngsters in old-fashioned ties and Ethel Cain followers in prairie attire come collectively to sing loudly to songs they may have cried alone to in darkish bedrooms, becoming a member of a refrain of hundreds in songs exploring unhappiness, anxiousness and despair and, in doing so, reaching a state of catharsis. Sing loud sufficient amid a 25,000-strong crowd and people emotions evaporate till you’re simply left with connection.

Typically it may be exhausting for artists with slower songs to command such huge areas with out dropping a way of intimacy that these deeply emotional tracks deserve. Sure sections do really feel higher suited to smaller venues, however when Bridgers asks the gang to place their telephones away throughout “Letter To An Previous Poet” – written about “one of many darkest durations of my grownup life” – everybody miraculously obeys. In these moments, everyone seems to be transfixed and also you virtually overlook that so many individuals are there.


Different moments really feel deservedly huge. When fireworks explode throughout the late summer season evening sky, MUNA be a part of them and each bands run riotously throughout the stage, beaming and kissing one another as “Salt In The Wound” reaches its clashing crescendo. It seems like a launch of any pent up unhappiness that’s nonetheless lingering, like ripping off the bandaid to see that the wound has healed beneath. Their first ever London present may simply mark the start of true Boygenius world domination, however most of all, it confirmed simply how particular a day might be when the band themselves curate a lineup that resonates with their followers, particularly after they select a number of the most enjoyable younger queer singer-songwriters arising proper now.

As followers trudge slowly again to Acton City, quite than pushing or dashing to get to the station, a quiet feeling of awe descends over the gang as if underneath a long-lasting spell. Buddies and lovers are nonetheless holding arms of their soccer shirts and new Boygenius merch, letting the day’s feelings slowly evaporate into the cool West London evening.