I need to confess that I do favor to work with pure mild for nonetheless life pictures, even unhealthy mild could be lovely. Nonetheless, it’s not all the time doable to work throughout daytime throughout some elements of the yr.
Typically as a result of a busy work schedule, I’m compelled to shoot within the evenings and that’s the place studio mild is available in. In the case of portraits within the studio, I usually favor studio mild for crisp pictures as effectively. Simply because they’re massive shiny studio lights, it doesn’t imply you’ve harsh mild in your topic. I nonetheless work with lovely comfortable mild. It’s not that tough to get snug with studio lighting.
Studying to feather the sunshine
Probably the greatest issues I’ve discovered with studio lights was feathering. Which means the sunshine is NOT pointed straight at your topic. As a substitute, it’s pointed barely away and your topic is bathed within the outer edges of the sunshine coming from the supply. This ‘feathered’ mild is way softer and complimentary, particularly for portraits.
What lights to make use of
There is no such thing as a simple reply to this. Studio strobes or speedlights supply quick motion and better velocity capturing, particularly if they permit for Excessive-Pace Sync. That is terrific for every thing from motion photographs of water drops, to dancers. These do take a little bit of time and persistence to study and might even be just a little intimidating and irritating to start out with. However taking the time to get snug with them is value it.
I’ve lately bought a set of Neewer LED panel lights, and whereas they will serve adequately as a fill mild for portraits, I’ve discovered they’re glorious for nonetheless life. The battery pack means they’re transportable and they’re light-weight.
Get snug together with your lights
A short while in the past I wrote a submit on attending to know your pure mild. A few of that’s related for synthetic mild as effectively. As a substitute of establishing a scene and ready on your pure mild to maneuver, strive establishing a easy scene and shifting your lights round it, from both aspect, from the again and the entrance. Cowl as many angles as you’ll be able to. Begin with one single mild till you might be snug with it. Transfer it nearer to your topic and additional away, see the distinction it makes to how a lot mild and the way comfortable or harsh it’s. As soon as you are feeling snug with a single mild you’ll be able to add one other.
What number of lights do you have to use?
For nonetheless life and macro pictures, usually, I solely use one supply of sunshine, no matter whether or not it’s a ring mild, LED, strobe, speedlight or pure mild. It’s extra pure and simpler to work with. For portraits, I often use two to 3 lights.
There are completely different types and setups for lighting; paramount mild, clamshell lighting, Rembrandt lighting and extra. I exploit a mixture of types, principally brief mild (dealing with towards the sunshine) and Rembrandt, nevertheless for a extra dramatic impact I’ll use broad mild (dealing with away from the sunshine) and paramount or clamshell lighting. I additionally like so as to add a speedlight to create rim mild or a slight halo behind my topic. However not all the time.