Why Potter’s Pink is a Watercolourist’s Secret Weapon

Potter’s Pink (pigment quantity PR233) is a textural, rosy pink pigment that was invented on the finish of the 18th century. This text takes a have a look at the origins of Potter’s Pink, and why it has such a particular position to play in a watercolour palette.


 

The historical past of Potter’s Pink is as quiet and understated because the pigment itself. It was invented by an unknown potter in Staffordshire sooner or later round 1790, and was launched to the artist market as ‘pinkcolour’ shortly afterwards. Its affect within the discipline of watercolour was important, and for years it was the one lightfast pink pigment out there to watercolour artists. We will see it’s granular pink blush within the under portray by James Smetham (1821-1889):

 

Watercolour panorama by James Smetham. Nice Britain, mid nineteenth century. © Victoria and Albert Museum, London.

 

Potter’s Pink is definitely a synthetic mineral pigment made by combining tin oxide, alumina, chromium oxide, lime, and quartz at a excessive temperature. The ensuing combination is completely washed and dried, making a lightfast, earthy pink. Its quartz content material implies that the pigment particles are fairly laborious and irregular, and this contributes to the granular, textural high quality the pigment produces. At the moment it’s nonetheless principally used as a glaze for ceramics, however it is usually a well-liked color on artist palettes– notably for watercolour artists.

 

Is Potter’s Pink Solely Obtainable in Watercolour Ranges?

Potter’s Pink is proscribed to watercolour ranges with few exceptions– Winsor and Newton provide an acrylic that makes use of the pigment PR233. Daniel Smith make a paint named Potter’s Pink, however they use the Quinacridone pigment PV19 rather than the real PR233 pigment. Generally it’s the case that sure pigments are incompatible with sure binders (Prussian Blue is an instance), however there’s nothing I can discover which signifies that PR233 is incompatible with any binder. The reply could possibly be that it’s merely a relatively boring pigment– it’s murky, opaque, and weak in tinting energy, so maybe this makes it unattractive to artists working in oil and acrylic. Potter’s Pink’s very specific traits, nonetheless, are revealed when it’s utilized in watercolour.

 

Potter's Pink

 

Why is it so helpful in watercolour?

Potter’s Pink actually is a super-granulating pigment. Granulation is a watercolour impact that sure pigments exhibit when utilized to paper with plenty of water. Pigments with giant and/or irregular pigment particles settle inconsistently into the feel of the paper, making a grainy, mottled impact that some artists love. It may be harnessed to signify pure textures, evoke a way of depth, or just as a degree of characterful curiosity in a portray. Granulation may be elevated by portray on tough paper, and utilizing plenty of water within the wash.

 

Potter's Pink

 

The attribute of granulation shouldn’t be evenly unfold throughout all colors. For instance, there are many granulating blues like Ultramarine, Cobalt Blue and Cerulean Blue. There are additionally loads of granulating greens, with examples like Cobalt Inexperienced and Viridian. However inside the pink spectrum, there are only a few granulating colors. That is the place Potter’s Pink turns into a watercolourist’s secret weapon.

On this case, Potter’s Pink low tinting energy is definitely its superpower. Including just a bit to a pink pigment doesn’t considerably change the color, however it contributes its granulating texture to the in any other case non-granulating pigment. On this approach, it may be used as a form of granulation medium.

 

 

If mixing with Potter’s Pink and also you don’t need it’s color to be misplaced, it’s greatest to pair it with equally low tinting pigment. It additionally compliments different granulating colors. When combined with Cerulean Blue, it makes some delicate, textural greys. With Nickel Titanate Yellow it turns into a blushing peach-pink. Certainly one of my favorite mixtures is Potter’s Pink with Uncooked Sienna, which makes a fantastic pink-brown.

 

 

Listed here are some suggestions of some Potter’s Pink paints. There isn’t a large amount of variation between manufacturers, however some are deeper and darker than others:

  • MaimeriBlu Watercolour– a stunning instance of the color. It may be fairly darkish when used thickly, however washes out into a fantastic delicate rose.
  • Daniel Smith Watercolour– that is barely browner in hue than different Potter’s Pinks, which some artists may choose.
  • Roman Szmal Watercolour – I’d often advocate getting Potters Pink in a tube as it’s simpler to get probably the most from a refined watercolour on this type, however this Roman Szmal color rewets superbly with good color energy.

Potter’s Pink can be a stunning paint to make your self utilizing dry pigment. On account of its quartz content material it’s troublesome to grind easily by hand however, as a result of its granular high quality is what makes it so particular it doesn’t take a lot grinding to produces a stunning, extra-granulating watercolour!

 


 

Additional Studying

Pigment Color Index: Pink Pigments

Making Your Personal Oil Paint With Jackson’s Pigments

Is Watercolour Higher in Pans or Tubes?

Pigment Tales: the Enduring Attraction of Alizarin Crimson

 

Store Potter’s Pink on jacksonsart.com

 

Evie Hatch

Evie’s pursuits lie within the historical past and traits of artist colors and supplies. This analysis performs a big half in her artwork follow; she loves investigating conventional strategies and makes her personal watercolour and oil paints. Evie graduated in 2016 from Camberwell Faculty of Artwork with a level in Drawing. She is at present learning Artwork Historical past on the Courtauld Institute, London.